A rebel writer’s weekly blog
What is your character afraid of? vs What is your character ashamed of?
Image credit: Possum Mood, go check out their online store here!
Read MoreA rebel writer’s weekly blog
What is your character afraid of? vs What is your character ashamed of?
Image credit: Possum Mood, go check out their online store here!
Read MoreA rebel writer’s daily blog.
Yesterday, I finished a brief but illuminating book about consciousness called Conscious: A Brief Guide to the Fundamental Mystery of the Mind by Annaka Harris, a 110-page layman’s approach to what it means to be “conscious”. Intuition, memory, free will, decision-making, meditation, time, identity, perception, matter— Harris touches on it all. But it’s panpsychism that has captured my attention the most because it allows for a limitless understanding of consciousness.
Read MoreA rebel writer’s weekly blog
Image: Possum Mood https://www.storenvy.com/stores/1290032-possum-mood
Read MoreMany young writers, like myself, don’t know the first thing about getting published.
Why?
Because, either our writing programs didn’t teach us and/or because even successful writers don’t often talk about the process. And when publishing is talked about, it is often through a privileged lens— a lens that doesn’t help the majority of new writers reach their goals. So how do we help each other get published when we aren’t privileged? We learn by example.
I chose these writers to be our examples not simply based on their popularity and their relevance alone. It’s also more than that. I wanted to highlight not just how White men can get published, but how everyone else can get published too, including Black writers, Asian writers, women, non-Western writers/writers who tell non-Western stories, and LGBTQIA+ (Lesbian, Gay, Bisexual, Trans, Queer, Intersex, Asexual) writers. This is important. White people, especially White men, have owned the publishing stage for centuries. But what about the rest of us?
This post is for the rest of us.
Read MoreBy studying the structure of first chapters, we end up talking everything from non-western vs western literature aesthetics, to discomfort, to the “writerly” image, to passion, to feminism, to reflection as an active force, to time and even physics.
Read MoreThough I have problems with lots of books on writing, I still must read them. I must make the space for them in my life as a writer. If I don’t, I run the risk of closing myself off from the (relatively few but important) lessons that are there to be learned. We have to suffer moments of irritation, of annoyance, of boredom so we can access the moments of brilliance. That, after all, is what writing is all about.
Read MoreRebel Mouthed Books is a radical space focused on decolonizing the literary world through writing and reading.
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